Apart from meeting a musical hero this shoot was special because Terry O’Neill had seen a drum kit being loaded into the Worx Studio (Parson’s Green) and couldn’t stop himself, coming to investigate (being an avid fan himself of drums & Charlie). He was shooting Rodney Bewes aparently..in another studio for a book jacket. This would be the only time I was doing something as interesting as Mr. O’Neill, I fear.
Lit with daylight coming into the skylights and some disco rope light! (held by Kev Lowery – Art Editor) He didn’t mind.